Heritage objects 'Awaken' for Indigenous communities

Image of a few heritage objects displayed as part of the Awaken exhibition.
In 1957, Professor Donald Thomson filmed an Aboriginal man with one leg making a sandal. Both the sandal (pictured) and the film are included in the exhibition.

Australian Aboriginal cultural heritage objects from one of the most important anthropological collections in the world will go on display for the first time at the Arts West Gallery, University of Melbourne Faculty of Arts.

The Awaken exhibition includes almost 200 items from the extensive Donald Thomson Collection, gathered from the diverse communities of Arnhem Land, Cape York and the Western and Central Deserts during the anthropologist’s 50-year career.

Innovative digital labels, including 3D images and virtual reality of the objects, will enable many Aboriginal people in remote Australian communities to see their cultural objects for the first time.

The exhibition has been curated in consultation with communities, using local knowledge alongside Donald Thomson’s fieldwork notes to awaken the stories of these objects and explore community’s deep and abiding connections with them.

University of Melbourne Research Fellow Lyndon Ormond-Parker said the exhibition highlights the deep relationships that exist between communities of origin and objects held in museums.

“It’s an extraordinary collection and this exhibition is an important moment in the relationship between all these parties. It is a symbol of a new beginning for us, working together to awaken these objects,” said Dr Ormond-Parker, who chairs the University of Melbourne’s Aboriginal and Torres Strait Islander Cultural Heritage Oversight Committee.

The Donald Thomson Collection includes almost 7500 artefacts and 2000 biological specimens collected mainly on Cape York, Arnhem Land and from the Great Sandy Desert and the Gibson Desert of Western Australia.

While best known for his anthropological work, the collection also reflects Thomson’s research and field collecting in botany, herpetology, mammalogy and ornithology.

Donald Thomson’s ethnohistory collection is included in the UNESCO Australian Memory of the World register. Objects from this collection – including field books, a map, photographs and notes – are on display in the Awaken exhibition.

Awaken has been curated by Genevieve Grieves, Worimi Nation film-maker, curator, storyteller and Melbourne Museum Director of First Peoples, with Rosemary Wrench and Shonae Hobson (Kaantju).

Ms Grieves said the richness of the Donald Thomson collection lies in how he worked with communities.

“These objects have been interpreted in conjunction with people from the communities of origins and they awaken when they are once again connected with these communities,” she said.

Professor Thomson’s wife Dorita Thomson made a generous gift of the collection of objects into the care of the University of Melbourne.

This, along with the photographic, film and field notes, owned by the Thomson family, have been on long-term loan to Museum Victoria from the University of Melbourne and the Thomson family since 1973.

The Thomson family’s own collection is featured in the exhibition, including handwritten notes, postcards sent to his family and Professor Thomson’s typewriter. Further, the collection highlights Professor Thomson’s focus on social justice issues and ecology.

Donald Thomson’s daughter Louise Thomson-Officer said: “My family sees this exhibition of our father's work as a catalyst for a new appreciation of the Donald Thomson Collection, its Indigenous creators and their descendants.

"The educational focus on object-based-learning and research is a perfect context in which we can all explore the depth and breadth of the collection, its significance, relevance today and the infinite possibilities for its future.”

Jessie Bartlett’s family is from the Lake Mackay area of the Western Desert, in WA, where Professor Thomson spent time in 1957.

Ms Bartlett said it was in Lappi Lappi Rockhole that Professor Thomson filmed an Aboriginal man with one leg making a sandal. Both the sandal and the film are included in the exhibition.

“We’re fortunate to have the photos and the film and the objects here,” Ms Bartlett said.

“A lot of the people in those photos I had relationships with. My Nanna was in there, my grandfather, my great-grandfather, my Nanna’s uncle. It just brings joy. Not just for myself but for everyone else in my family. It’s a really close connection and we are really fortunate to have all that.”

The Awaken exhibition will be on display at the Arts West Gallery on Professor’s Walk at the University of Melbourne Faculty of Arts until the end of 2020.